“Metal Mirror Marvel of Aranmula”. In Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia. https://www.sahapedia.org/metal-mirror-marvel-aranmula.. 2021.
“Book Review of "Early Indian Metallurgy: The Production of Lead, Silver and Zinc through Three Millennia in North West India" by P T Craddock, K T M Hegde, L K Gurjar and L Willies. London: Archetype Publications Ltd, 2017”. 54(3): 376-378. https://insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol54_3_2019__Art12.pdf.. 2019.
“Casting Nataraja: Techniques of South Indian Bronze Casting”. Bengaluru : NIAS.. 2019.
“Early Gold Mining and Jewellery: Some Insights from the Nilgiris, Tamil Nadu and Karnataka”. SAARC Culture 6: 88-103.. 2018.
“Traditional Techniques of Gold Jewellery: A Case Study of Devakottai,Tamil Nadu”. Journal of the Centre for Heritage Studies 1.. 2018.
Chola and Vijayangara Bronzes: Archaeometallurgical mapping of shifting iconographies. Banaras: Dept of History of Art Faculty of Arts, Banaras Hindu University.. 2017. 2nd Dr. Frank E. Chookolingo and Evamaria E. Chookolingo Memorial Lecture
“Copper Smelting Slags at Ingaldhal Mines, Karnataka: Early Historic Satavahana Links”. Transactions of the Indian Institute of Metals 70(2): 541-546. https://link.springer.com/article/10.1007%2Fs12666-016-1013-6.. 2017.
“Iron Age Beta (23% tin) Bronze: Peninsular Indian Bowls of Adichanallur, Nilgiris and Boregaon”. Materials and Manufacturing Processes. https://www.tandfonline.com/doi/full/10.1080/10426914.2016.1244843?fbclid=IwAR0NBah_CdZ3bixAzQ3jCv5W85qp_Twf5c1eXoly_ugTeIRLjUAzKzB7kqo&journalCode=lmmp20&scroll=top&needAccess=true.. 2017.
“Key metals and alloys in Indian and South Indian antiquity: An archaeometallurgical overview”. Advances in Construction Materials and Systems: Proceedings of an International Conference (ICACMS), September 3-8, 2017 1: 99-112.. 2017.
“Ultrahigh-carbon "wootz' from Crucible Carburization of Molten Iron: Hypereutectoid Steel from "Tamil Nadu Process" at Mel-siruvalur”. Materials and Manufacturing Processes.. 2017.
“Vijayanagara Era Narasimha Bronzes and Sculpture: Digital Iconometry”. In Digital Hampi: Preserving Indian Cultural Heritage, Digital Hampi: Preserving Indian Cultural Heritage, Singapore: Springer. https://link.springer.com/book/10.1007%2F978-981-10-5738-0.. 2017.
Indian Bronze: Ecstasy of Classical Art. New Delhi: National Museum.. 2016.
“Indian High-Tin Bronzes and the Grecian and Persian World”. Indian Journal of History of Science 51(4): 601-612. http://insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol51_4_2016_Art07.pdf.. 2016.
“Locating iron production sites in Telangana, India using satellite imagery”. Current Science 111(9): 1536-1543. http://www.currentscience.ac.in/Volumes/111/09/1536.pdf.. 2016.
“Metallurgy of zine, high-tin bronze and gold in Indian antiquity: Methodological aspects”. Indian Journal of History of Science 51(1): 22-32. http://eprints.nias.res.in/1082/.. 2016.
“Nataraja, Natesa and Orion: Archaeometallurgical and Archaeoastronomical insights into Dancing Siva Images”. In Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Chennai: C P R Publications, 265-285.. 2016.
“Tamil Chola Bronzes and Swamimalai Legacy: Metal Sources and Archaeotechnology”. The Journal of The Minerals, Metals and Materials Society (TMS) 68: 1-15. http://eprints.nias.res.in/1084/.. 2016.
“Techniques of Bronze Casting”. In Ecstacy of Classical Art: Indian Bronzes, Ecstacy of Classical Art: Indian Bronzes, New Delhi : National Museum Collection, National Museum, 20-36 .. 2016.
“Bronze image casting in Tanjavur district, Tamil Nadu: Ethnoarchaeological and archaeometallurgical insights”. In Metals and Civilisations, Proceedings of the Seventh International Conference on the Beginning of the Use of Metals and Alloys, NIAS Special Publication No. SP7-2015, Metals and Civilisations, Proceedings of the Seventh International Conference on the Beginning of the Use of Metals and Alloys, NIAS Special Publication No. SP7-2015, Bengaluru : National Institute of Advanced Studies, 209-216.. 2015.
“From Temple to Mantelpiece: Changing Paradigms in the Art and Craft of South Indian Metal Icons”. In Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , London, UK: Saffron Books,, 124-148. http://eprints.nias.res.in/1184/.. 2015.
“Aesthetics and the foundations of science: Insights from Indian metallurgical traditions”. In Foundations of Scinces, Foundations of Scinces, . Delhi: Pearson, 209–254. http://eprints.nias.res.in/601/.. 2014.
“Iconographic trends in Rama worship: Insights from techno-cultural studies of bronzes”. In Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Chennai: CP Ramaswamy Aiyar Institute of Indological Research.. 2014.
India's legendary wootz steel: An advanced material of the ancient world. Hyderabad: University Press. http://eprints.nias.res.in/651/.. 2014.